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Community College–a Stepping Stone to Greater Opportunities
Emma Haag
and
Ryan Jung
|
May 27, 2022
Toxicity in Asian-American Standards: South-Asian Underrepresentation
Arshia Sista
, Staff Writer
|
May 25, 2022
New Math Framework: One Step Towards Equity or Ideological Pedagogy?
Martin Yoon
, Staff Writer
|
May 24, 2022
It’s Time to Take a ‘Pass’ at a Better Grading System
Arnav Chandan
and
Dheeksha Bhima Reddy
|
May 23, 2022
Forget Russia – Let’s Lower Gas Prices Ourselves
Aadi Mehta
, Staff Writer
|
April 26, 2022
Color-Blind Casting Fosters Inclusivity in Media Beyond Race
Cara Chan
and
Arshia Sista
|
April 22, 2022
Include All Sizes, Not Just One
Shaina Taebi
, Staff Writer
|
April 20, 2022
Hollywood is Blinded by Money — The Rise of True Crime
Kayla Moshayedi
, Media Director
|
April 13, 2022
When the News Gets Overwhelming, It’s Okay to Take a Break
Grace Baek
and
Tyler Kim
|
April 1, 2022
Making Masks a Choice in Schools is a Victory
Aadi Mehta
, Staff Writer
|
March 28, 2022
‘Hidden’ Classes: How Can Engineering Courses Be Better Promoted During Course Selection?
Kayleen Kim
and
Justin Tang
|
March 15, 2022
‘Euphoria’ Doesn’t Glorify Drug Use — It Humanizes It
Ryne Dunman
and
Kayla Moshayedi
|
March 8, 2022
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![Levinson needed to cast an actress who could portray the emotional volatility of an adolescent drug addict, in tandem with Rue’s mental health diagnoses — among them, ADHD, bipolar disorder, anxiety and depression — and shifting relationships with friends, family and lovers. “I think that the toughest part of writing [Zendaya’s] character and sort of portraying a character that’s dealing with addiction is understanding the root causes of it and the sensitivity behind it,” Sam Levinson said.](https://portolapilot.com/wp-content/uploads/2022/03/draft-2euphoria-graphic-1-900x682.png)
